Dallas-reared megastar packs arena with hits, moves, and pyro
May 18, 2016 Post malone settings. Hi everyone, I'm unsure if this Is the best place to post but I really want to know post malone autotune settings and what programme he uses. If anyone can give me some advice I would appreciate it. Save hide report. 100% Upvoted. Does Post Malone have a girlfriend? Post is rumoured to have been dating his girlfriend, Ashlen, since 2015 after she booked him for a show at a nightclub. The rapper remains very private about. Whether performing sold-out shows at Red Rocks or the Hollywood Bowl, Post Malone needs his Auto-Tune in the hands of a pro; and Linton is, without question, a true pro. A drummer and guitar player who fell in love with Pro Tools and the mixing side of the music, Linton spent nearly a decade recording and mixing, and a few years ago found his calling right on that blurry line between the studio and the stage. He's admitted he uses it pretty regularly, mostly for his singing though because he doesn't think his singing sounds good. But that being said, all songs are different, and will require different amounts of correction for Post, some will need heaps, some will need minimal amounts to make it sounds 'cleaner' like the first part of OP's video.
By Derek Udensi, 1:15PM, Wed. Mar. 11, 2020
Malone Performance Tuning Options. Many of the Malone Tune products have tuning options to accommodate customer’s individual needs. Some of them are for racing use to optimize performance, some are considered because of a customer’s driving preferences, environment and habits. Mar 11, 2020 Post Malone Loosens Fireworks Fit for the Fourth of July on the Erwin Center Dallas-reared megastar packs arena with hits, moves, and pyro By Derek Udensi, 1:15PM, Wed.
“Hello, my name is Austin Richard Post and I’m here to play shitty music and get fucked up,” announced Post Malone with a Bud Light-branded cup in hand. COVID-19 failed to deter the adopted Texan, and his devout following matched him virtually word for word and line by line as he performed before a seemingly sold-out Frank Erwin Center on Tuesday evening.
Energetic opening sets from Tyla Yaweh (Tyler Brown) and Swae Lee (Khalif Brown, no relation) proved the capacity crowd came to shriek wildly. The latter credited SXSW 2014 for giving his brotherly duo, Rae Sremmrurd, its big break. Given that, his incessantly shouting “Austin, Texas” and “ATX” during a 40-minute show transcended typical attempts at a cheap pop.
The Mississippi hitmaker went so far as proclaiming Austin a “top-five location in the world.”
The headliner, meanwhile, made a theatrical entrance. How to boot to boot camp mac. The stage featured a long runway flanked by two towering screens and a massive row of lights. The lights moved up from the runway to focus on the evening’s main attraction as he slowly came into sight to a rapturous reception.
Malone’s 80-minute set began with “Hollywood's Bleeding,” “Better Now,” and deafening pyrotechnics. Simple hooks sound masterful when belted by 10,000-plus people. The 24-year-old runs laps on the charts with heavily melodic, easily accessible pop that wanes in-and-out-and-off hip-hop here or there.
Third studio album, Hollywood’s Bleeding travels further into a pop realm tailor-made for the singer. The native New Yorker, who moved to Dallas at 9, explained his desire to step out of his “comfort zone” on the September release. Songs like his self-proclaimed “weirdest” tune on the LP, “Allergic,” feature a slow melody and indie rock-style yelling of the song title.
Much of Malone’s discography features sad subject matter, but Club Erwin truly felt rowdy on Tuesday behind thumping drums, eye-candy graphics, majestic lighting, and pyro – lots and lots of pyro. Flames synchronized to the beat for songs such as the Ozzy Osbourne- and Travis Scott-assisted “Take What You Want,” which provided warmth in lower bowl sections of the doomed basketball arena.
Recent social media accusations of drug abuse and alcoholism due to out-of-context concert footage border on slander within the confines of Malone’s live prowess. The Grammy nominee danced to his music and fell to his knees repeatedly for emphatic exclamations. Both contradicted what one might expect from the usually laid-back figure.
It’s easy to dismiss much of the streaming behemoth’s music as Auto-tuned warble, but heartbreakers such as “I Fall Apart” convey very real and very raw emotion.
Malone further showcased his versatility by playing “Stay” on an acoustic guitar and eschewing Auto-tune. Video screens zoomed in on him carefully strumming as sweat dripped down his neck. He later smashed that same guitar during 2017 chart-conquering anthem “Rockstar,” because that’s what rockstars do.
Swae Lee came out to perform the chart-topping “Sunflower” before the guitar smashing and rolling back of eyes. The party ended with celebratory victory track “Congratulations” and pyro befit for a Fourth of July occasion. Even the most cynical of music purists could’ve found some enjoyment in this electric offering.
Post Malone set-list, Frank Erwin Center, 03.10.20
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“Hollywood’s Bleeding”“Better Now”“Saint-Tropez”“Goodbyes”“Die for Me”“Allergic”“Candy Paint”“Psycho”“Enemies”“Wow”“Paranoid'/“I Fall Apart”“Over Now”“Take What You Want”“Stay”“Circles”“Go Flex”“White Iverson”“Sunflower”“Rockstar”“Congratulations”Does Post Malone Autotune
Rapper, singer, and producer Post Malone first stormed the scene with his 2015 debut single, “White Iverson,” a title seemingly designed as bait for critics of “cultural appropriation.” While initially received with some skepticism, Malone’s innocent, fun-loving persona and knack for crafting catchy tunes quickly won him a dedicated fanbase. According to legend, Malone met Justin Bieber, chugged a beer with him, and was invited a few months later to tour with the Biebs himself. In late 2016 Malone released his debut album “Stony.” Next up was Malone’s single, “Rockstar,” which made it to number one on the Billboard Top 100 and in a flash he became one of the most streamed artists in the world. Now, he’s released his second full-length, “Beerbongs & Bentleys,” accompanied by the Mass Appeal documentary, “Post Malone Is a Rockstar.”
Lines like, “I wake up, rinse my mouth with fuckin’ codeine,” from “Zack and Codeine,” and, “Saint Laurent, 40, on a new suit,” from “Takin’ Shots,” neatly encapsulate the bulk of the subject matter here. It’s precisely what you would expect from an album titled “Beerbongs & Bentleys.” However, a considerable portion of the album also explores the jaded mentality that typically follows a steep rise to fame. In “Paranoid,” Malone sings about everyone being after his money. “Rich & Sad” is a hip-hop take on the same sentiment memorialized in the Beatles’ “Can’t Buy Me Love.” Several songs also explore the difficulties of sustaining a relationship when constantly in the spotlight.
Malone is often classified as a rapper, but this is hardly an accurate description. After all, “rapping” is speaking percussively, and Malone does not devote a single second of his new album to this. Instead, he sings the entire time. He packs his syllables into lines in a way typical of rappers who dabble in singing do. But whereas these rappers intersperse their melodies with actual rapping, Malone sticks exclusively to the singing in Auto-Tune. The rise of Auto-Tune has had a peculiar effect on vocals. The treatment morphs lines into unnatural intonations, and the ubiquity of such treatment has made these odd resulting melodies readily recognizable. Artists like Malone write their hooks with such Auto-Tune-inspired tunings as a starting point, and, in turn, feed their compositions back into Auto-Tune, in a feedback loop that makes for some rather otherworldly sounds. Malone is an expert at coming up with catchy hooks. Every single song on his new record is instantly infectious. Whether they’re your cup of tea or not, they’ll surely stick in your head, just as the hit single, “Rockstar” probably already has. In fact, they might stick in your head too much. In the maddening “Candy Paint,” Malone repeats the same five-note melody over and over again for nearly three minutes. It’s a new achievement in minimalism.
The production is clean and crisp, drawing from a limited sound palette, furnishing the tracks sparsely, and leaving them open and uncluttered. The drums are crafted around enough trap cliches to establish the associated groove, with hiccuping snares and multiple high hat lines panned slickly. It’s a consistently cheery affair, all major chords, bright and bubbly sound design, candy-coated, and syrup soaked. If one were pressed to come up with an accurate caption to the album, a long string of emojis would suffice. Or as another option, paste this review into a text-to-speech converter, and add autotune.
Post Malone Singing
Album highlights include “Stay,” which showcases Malone straying into more singer-songwriter territory, with acoustic guitar, and hip-hop sensibility a few levels removed. It’s a becoming sound, which shows off his songwriting chops, and would be worthy of further exploration in successive work. “Same Bitches (ft. G-Eazy & YG)” is a west coast-style banger, simultaneously hard-hitting and laid back. “Ball for Me” is a colorful, funky track, with guest vocals from Nicki Minaj, that displays a remarkable creative chemistry. And then, of course, there’s the indelible “Rockstar,” finally making its way into an album.
Clearly, this style of hip-hop music isn’t meant to be taken seriously — it couldn’t possibly be, could it? Sure, it seems to be presented without the least trace of irony, 100% sincere, but this must merely bear testament to the excellence of the performers’ deadpan delivery, and their truly impressive ability to never break character. How exactly this style ever came about remains a mystery. Perhaps it began as some artist’s or record executive’s idea of a joke, but caught on so widely that it became the norm. This is a totally conceivable explanation, as America has a proud longstanding history of dreaming up and marketing products of a genius novelty unparalleled anywhere else. We brought you the pet rock, the Twinkie, and now — Post Malone.
“Beerbongs & Bentleys” is available April 27 on Apple Music.